Friday, February 11, 2011

The Top 20 Stephen Greenwell Music List: This One Does Not Go To Eleven


10) “(If You Are Wondering If I Want You To) I Want You To” by Weezer – 24 plays.

Stupid song name, horrible verses, but my goodness, Weezer sure knows how to make a catchy beat and nifty chorus. My friend Pat and I discussed this, and even with all this song's obvious shortcomings, it's still really great in some parts.

9) “Gives You Hell” by The All-American Rejects – 25 plays.

I'm surprised this one isn't a little bit higher, but I've only had it in my iTunes for about a year, so some other songs no doubt have it beat. It's probably got the highest playrate, considering its age. I make no apologies for having it on this list; it's a fun little song. If you don't like it, well, go spit.

8) “Sink Into Me” by Taking Back Sunday – 27 plays.
7) “Savior” by Rise Against – 30 plays.

If I'm not mistaken, Rise Against is a fairly popular band. However, this is the only song I have by them, so I couldn't really comment on this. I think this one because it is loud and angry. Sometimes, you need a loud and angry song to listen to. The same thing applies to Taking Back Sunday – I realize that they have a following of some sort, but this is the only song I've really been exposed to, and that's primarily because it got some mainstream radio play.

6) “Adelaide” by Ben Folds Five – 31 plays.

I'm generally a slut for anything Ben Folds does, and this song combines the best of his traits. Hypnotic piano riff right off the bat? Check. A chorus and other lyrics you can sing along to loudly in the car? Check. A song actually about something? Check! It's good times all-around.

5) “Let's Dance to Joy Division” by The Wombats – 33 plays.

I'm not normally a huge fan of WBRU nowadays, since they've shifted from the angrier, punkish rock of my generation (the 1990s and early 2000s) to, frankly, weird shit. One exception would be the #1 song on this list, and another one would be this song. It has enough of an edge and a catchy chorus, enough to keep me quite interested.

4) “Naive” by The Kooks – 36 plays.

Okay, confession: I've only ever heard this song on my iTunes and on one of those Guitar Hero or Rock Band games. However, once I start hearing it, I can't stop it midway through and move on to something else. It's a good song to sing along to in the car, the bass / guitar line is very, very catchy.

3) “The Underdog” by Spoon – 38 plays.

Just a straight-up awesome song. Great lyrics, and it has everything – Drums, guitar, some horns, a tambourine... When Adam Carolla complains about bands that don't really have chops anymore, he should listen to some Spoon instead. Because they're awesome.

2) “Safe European Home” by The Clash – 40 plays.

I really got into The Clash a little while ago, once I learned that “Train In Vain” was by them. (Actually, I'm a bit surprised that that song doesn't beat this one out.) Like many of my favorite songs though, this one is loud with heavy guitar and features yelling. These are two important qualities for almost any song.

1) “Cousins” by Vampire Weekend – 44 plays.

This tops the list for several reasons. One, because it's only 2:25, it makes it a relatively easy listen. Two, I really like this song. Heck, I wrote a blog about it in the past. And three, it is somewhat-acceptable cool music, whereas most of the crap I listen to doesn't really have any artistic cache.

3 comments:

  1. I'm not sure I've heard of any of these. Which goes to show how little I know about 21st century music. Or late 20th.

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  2. I'm a big fan of "Gives You Hell" (saw All American Rejects live about 16 months ago) and "Naive" by the Kooks is also a good song, although I can't stand the singer of that band.

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  3. @ Aaron - I was going to give YouTube links for them, but it was taking too long, so I decided against it. You can ask Keegan about them though, most of the songs are pretty horrible.

    @ P - Sweet! I actually have no idea about the conduct of the lead singer of The Kooks, since I'm not really a big concert dude.

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