A sneak peek of the other upfronts, and Pitching Perfect Projects

Note: Elvis Costello should have his own sitcom.

Continuing on my post from yesterday, and from the excellent dispatches from the upfronts by Slate's Troy Patterson here and here, my thoughts on the new shows pitched for the upcoming fall season...

- Lonestar is about an oil tycoon con man trying to keep it all together. A FOX show, it'll probably be canceled at the first sign of ratings trouble. I'm not really that interested in the concept; this sounds like the type of show that will be crammed down my throat in promos during the baseball playoffs, only to disappear from the fall schedule after a couple episodes. (However, in case anyone has forgotten the lesson pounded into our heads from past postseasons, "Her father is the DISTRICT ATTORNEY!")

- I like the pedigree of Running Wilde, which has Will Arnett and Keri Russell in it. However, as good as Arnett was as Gob Bluth, he has produced a lot of... well, shit, since then. It would be a shame if that was his career peak, but it has happened to actors a lot better than him. Therefore, I'm going to remain cautiously optimistic for his new show.

- Mixed Signals got the best response from the mostly-old-dude crowd at the FOX upfront, so I will try to check it out in the fall, even though I know almost nothing of it. Raising Hope sounds horrid, even from Patterson's short description of it as Three Men and a Baby minus two men. Doesn't Two and a Half Men fill out quota for shows-without-moms needed on network TV?


Better yet, I think we need a ridiculous premise show that goes the completely opposite direction. Therefore, I am proposing a new show, which I call Four Lesbians, Two Babies and an Elephant. (In case "lesbians" in a show title doesn't fly, my alternate title is Four Women, Two Babies and an Elephant.) Of the four women, two would be doctors - they're very popular with executives - one would be a spy, and the last one would be a drug addict. If one baby means ratings, then two babies mean DOUBLE ratings. And, any show can have a puppy or a kitten. To spice things up, these gals need an elephant.

- At the ABC upfront, No Ordinary Family sounds like it could be a winner. A drama about a family with superhero powers? Yes. Sign me up. Heroes was awesome until it started adding 500,000 different characters, so focusing on just a single family of heroes could be interesting.

- In contrast, I'm not sure how much I'll like Mr. Sunshine with Matthew Perry. In the early seasons of Friends, he was savagely sharp and funny. But as the show was increasingly pitched toward female viewers and the female characters, he lost a lot of his edge. If he is back to his snide-as-eff character, then I'm in. If he's pining for some woman in the first episode, I'm out.

- Happy Endings sounds vapid and stupid and a waste of time. The same goes for My Generation. Generally, anything that claims to be cool, hip or on the cutting edge is never cool, hip or on the cutting edge.

- Off The Map and Body of Proof sound like rehashes of shows currently on the air. If they're decent, I'm guessing they'll just piggyback on to the existing shows. Neither one sounds like it has breakout potential.

- And finally... The Shatner show based on Shit My Dad Says. My goodness, I'm excited. Two reasons: It will either be legitimately good, or it will be so bad it is great, because Shatner is involved. I really don't see any middle ground on this, although I think it's far more likely that it sucks, like the show based on the Geico cavemen. I do like my friend Tom's suggestion: It should be renamed from Shit My Day Says, which won't fly on network television, to Shatner My Dad Says.

The picture of Elvis Costello at the top of the blog is from this blog, which is in some foreign language. The lesbian photo I modified a bit, but found at this blog. The baby photo is from here. And Dumbo is from this blog.

iTunes Running Diary – Monday, August 31

This week's artists.

First, a procedural thing. To better comply with Twitter, and my own schedule, I'm going to switch these to Monday night. Monday is the big music day on Twitter, and since this is generally one of my more popular and easy-to-do weekly features, it doesn't make much sense for me to bury the entries on Sunday nights.

And secondly, to test out the new iTunes and my new computer, I used the Genius application. It is supposed to create a playlist from a song of your choice by analyzing your library and deciding your other tastes. I used it on a past iTunes diary song, "Chelsea Dagger" by The Fratellis, and the playlist it suggested was pretty decent.

- "Everything Is Average Nowadays" by The Kaiser Chiefs. I don't really have any idea of how popular the Chiefs are. As far as I know, my friend DJ (who appropriately loves music) is the only other person who listens to them.

They play "kind-of" rock-ish songs; I'm not entirely sure how to describe them. They fit in that nebulous category with Modest Mouse, The Killers and TV On The Radio, in that they aren't quite hard rock or alternative, but they're not emo or techno or anything like that. Has there been a good category for these bands yet?

- "Live Forever" by Oasis. When I was in high school, I didn't really appreciate Oasis that much. In reflection, I think it was because a couple songs - "Wonderwall" and "Don't Look Back In Anger" especially - were played incessantly on the local radio stations.

While by any stretch of the imagination they aren't The Beatles, the band they seemingly emulate, their deeper tracks are quite enjoyable. "Live Forever" would be one example, as would Guitar Hero and Rock Band track "Some Might Say." Even their title track, "Morning Glory," is good because it wasn't over-exposed with radio play.

- "Lithium" by Nirvana. This one seems a little out-of-place with the rest of the playlist, but hey, maybe that's the idea? It does seem the song with "hardest edge."

Although I fondly remember Nirvana from my youth, I was also way too young to really appreciate / understand it. For example, I had no idea what *this* song was about, and because I was about 8, I couldn't really relate with the angst of "Smells Like Teen Spirit." Despite that though, I could still recognize that it was a really great song, which I didn't realize with Led Zeppelin at the same period of my life.

Because of this, it does make me question the "backlash" that Nirvana has gotten in recent years. Yeah, the music is kind of simplistic, but if it still made 8-year-old me stop and realize it was something special, then it has to have some redeeming value.

- "Ain't No Rest For The Wicked" by Cage The Elephant. I'm not really sure where this band came from, but man, they sure are catchy. Yet, they still have a bit of an edge to them. The two local stations I listen to - 95.5 WBRU and 94.1 WHJY - both play them, even they are alternative, college and modern rock, and hard rock and hair rock, respectively.

They also have more than just this song, as a second single, "Back Against The Wall", is just as catchy. I think both songs should be retroactively placed on the There Will Be Blood soundtrack, but that's just me.

- "Heroes" by David Bowie. Genius actually spit out two Bowie songs for my playlist, but that could be because I have like 30 or so in my iTunes library.

Nonetheless, this is a great song, and it even has a pretty good cover by Bob Dylan's son. I do prefer the Bowie version though, because it seems less preachy. I could be saying that because the cover was a tie-in to the horrible Godzilla movie with Matthew Broderick...

- "Pump It Up" by Elvis Costello and the Attractions. This is the final song on the playlist of 25, and it seems like a 1980s version of the artsier, modern rock also on the list.

Not surprisingly, this is another suggestion from Rock Band, since I'm not the biggest Costello fan in the world. The only other song I have from him is "Radio Radio," and mostly because of the SNL connection.

The full list picked by Genius: "Pinball Wizard" by The Who. "Dashboard" by Modest Mouse. "Wolf Life Me" by TV On The Radio. "Rooftops (A Liberation Broadcast)" by Lostprophets. "I Like You So Much Better When You're Naked" by Ida Maria. "Do What You Want" by okgo. "Troublemaker" by Weezer. "Reptilia" by The Strokes. "Life on Mars?" by David Bowie. "Daylight" by Matt and Kim. "Heinrich Maneuver" by Interpol. "You Don't Know Me" by Ben Folds. "Sunshine Of Your Love" by Cream. "The Angry Mob" by The Kaiser Chiefs. "The WAND" by The Flaming Lips. "Do The Panic" by Phantom Planet. "Cannonball" by The Breeders. "Train In Vain (Stand By Me)" by The Clash.