Probing the origins of Jacob, Not-Jacob

I've poked around the Internet a bit for reviews of last night's episode of LOST, and much to my surprise, people were quite "meh" on it. While I agree with the common assessment that not much was really answered about the show, I did like that the creators at least tried to provide some framework for why there is a rivalry between Jacob and FLocke. There was just a neat, mystical feel to the episode that you couldn't really indulge in if you put it too far under the microscope.

Like the Richard episode a few weeks ago, this LOST focused solely on the relationship between Mother, Jacob and FLocke, with only a brief cutaway at the end. Given how much I liked both episodes, I kind of wish they had used this conventional method of storytelling a bit more often.

Since we knew so little about both the origins of Jacob and FLocke coming in, I'm in favor of the decision to reveal a little - but not all - of the details of their background. Having them essentially wash ashore adds to the mystery of the whole thing, as does the decision to not even try to explain where the heck Mother came from. Likewise, not naming FLocke (or Not-Jacob, as I call him in the title of this entry) adds to the mystical / comic book feel of the episode.

Most LOST fans probably won't be completely happy with this thought of mine, but I imagine the origins of the ancient Island inhabitants - Mother, Jacob and FLocke - will never be truly revealed. Because of this, I think we'll just have to be happy with an expanded knowledge of the more "human" characters like Jack, Kate (boo!), Sawyer and (hopefully!) Miles.

Grade: A-

As usual, the great pictures from LOST are from the Lostpedia entry for the episode, which can be found here.

A thinning of the herd on LOST

So... We got some answers on LOST. Or rather, FLocke eliminated some possibilities with his trickery. Anyone still think that he is somehow the good guy and Jacob isn't?

First things first - It was oddly satisfying to see Kate get shot. As in, I laughed like a madman when it happened. Unfortunately though, it seems pretty clear that she will survive, as a bullet, dynamite and sinking submarine aren't enough to kill her.

Tackling the deaths in order of occurrence, it was neat to see Jack's faith in Sayid being redeemable actually pan out. When it became clear that FLocke double-crossed them with the C4 and the submarine, Sayid was the one who tried to swallow it, Mask style. This did create another unintentionally funny moment though, when Hurley said he was going after Sayid, even though he had been blown to bits with the explosives.

Second, the scene with Sun and Jin was pretty gut-wrenching. It wasn't at the level of Desmond and Charlie, because I haven't formed as much of an attachment to them, but the scene was still really well done. However, it does make me think that somehow, Bizarro LAX will be the "real" world when all is said and done. Things are ending up a bit more "happily ever after" in that world as opposed to the Island, where people are now dying left and right. I don't see the creators of LOST being comfortable with just killing off half the cast for reals.

Speaking of Bizarro LAX, there was some interesting stuff going on in it. Locke is now responsible for his and his father's paralysis; they were linked before, but it wasn't Locke's fault before. It seems like Claire and Jack are going to do some bonding, which is sweet. And there are still some interesting tangles out there to be undone, such as what happens to Kate, Sawyer, Miles and Hurley.

However, the super-duper most tantalizing thing out there remains Desmond in the well. Sayid confirmed that he left him alive instead of killing him, and with Jack, Sawyer, Kate and Hurley managing to escape the submarine, and possibly Frank as well, Desmond would seem to be their #1 target. He wasn't on the candidate list, so it's not exactly clear what role he will play. But Desmond seems to be affected by the theory Jack stated - FLocke can't directly kill them.

Grade: A

The photo of Sun and Jin is from this awesome, awesome LOST blog.

TV Review: I still hate Hugo.

Libby brings two friends to her date with Hugo.

Ah, LOST. My friends Tom and Nikki were having a minor disagreement about last night's episode, with Tom claiming it was a 6/10 episode, and Nikki being more positive, calling it a 8/10. My own rating reflects more of a fencesitting: I give the first 20 minutes a 4/10, and the final 20 minutes a 10/10, for an average of 7/10. (Sorry I couldn't really settle the dispute, pals.)

As the title of this entry implies, I still find Hugo to be a miserable, sad character. He is still strictly the fat dude comic relief, even if he's the only one outside of Miles who can reasonably talk to the dead. In Bizarro LAX, at least he has finally managed to make some moves on Libby, which will probably allow Cousin Brandon to rest in peace. In fact, let's tackle this episode, from bad to good:

Bad: Ilana going out like a bitch. It's weird, in that while I'm not her biggest fan, I still thought Ilana deserved to go out a little bit better than, well, being the only character on the show to get exploded besides the dorky science teacher. LOST earns some points for making her death a complete "out of left field" shock, but I openly laughed when it happened, because it felt more appropriate for Loony Tunes as opposed to a serious drama.

Bad: Hurley's continuing pussification. Dash Worthington would not approve of Hurley. Specifically, he pulls a FLocke move in last night's episode and tries to lie to the group to get them to follow him to FLocke's camp. Hasn't he learned anything from how he has been treated on the Island??? One of his biggest complaints during the past seasons has been about being lied to, and the very second he's in a position of power, he uses his "I can see ghosts!" power to lie to people.

Bad: Michael's odd cameo on the episode. It's nice to know that the whispering from all of the past seasons are ghosts haunted by what they did on the Island, forced to remain; it's nice to know that Michael will be spending an undetermined amount of time living in damnnation on the Island. However, like Ilana, most people people will probably consider this a disappointing use of Michael's character. While I was never a huge fan of him, he probably deserved a bit more than this, and maybe they'll address his fate more in Bizarro LAX.

Good: Hurley and Libby FINALLY hooking up, even if it is in Bizarro LAX. This also seems to kickstart his memory, as Desmond seemed to want, and has interesting implications. Hurley clearly has a much, much better thing going on in Bizarro LAX, since he is not cursed, filthy rich and now, with the presence of Libby, in love. If the worlds are somehow merged again, then what happens to her?

Really Good: Desmond knocked Locke out with his god damn car! Wow! That was a wickedly satisfying scene to watch for some reason; I'm not entirely sure why. Also, I think the whole chain of events is part of a plan by Desmond to reunite Locke with Jack. With his injuries, Locke will get taken to the hospital where Jack works, where either the operation or something post-surgical will make their memories kick back online.

Good: Desmond is still the mother effing man, and he is now equal to Jack in my mind. To me, it seems like he has a Luke Skywalker-esque endgame in mind, which is why he appeared fearless in front of FLocke. It wouldn't surprise me if he somehow knows the "secret" to thwarting him and "fixing" the two worlds.

Good: It was nice to see a larger role for some characters, like Ben and Miles, even if they were still mostly supporting characters. And hey, no awkward scenes between Kate, Jack and Sawyer - just awkward gazing. We're improving! Hurrah!

TV Review: LOST back in high gear!

After some merely very good episodes, LOST kicked it back up a notch last night, to steal some terminology from a hack-like television chef. While the first 20 minutes or so just seemed to add further to the mystery, the last half of the episode was just some nice, gooey explanation. The episode was like a chocolate chip cookie in that way - It just got better as it heated up.

Unlike past episodes, which normally intersperse the different stories going on, last night's episode of LOST seemingly only focused on Richard. Except for the beginning and end portions of the episode, the entire episode was a simple flashback. However, I think it's more accurate to say that the episode focused on the "deity" characters of LOST - Richard, Jacob and Fake Locke / The Man In Black, who were definitively revealed to be one and the same.

Like I originally thought, I think last night's episode revealed that Jacob and Fake Locke are good and evil, respectively. Fake Locke tried to manipulate Richard from the second he got on the Island by using his dead wife, whereas Jacob seems to operate more by free will with small signs. I've ripped on Hurley in the past, but his role as the Haley Joel Osment for Jacob and other ghosts has finally given him a purpose outside of being Fat Guy Comic Relief.

My only regret about last night's episode? Well, I couldn't think of a better way to work in this image to the right that I originally saw on the excellent Mel Got Served. Screw it though - I'm posting it anyway! Take that!

Grade: A+

TV Review: LOST + shirtless Sawyer = happy women

This week on LOST... We get to see a lot of Sawyer without a shirt in the first five minutes, which surely made all of my female friends happy. In Bizarro LAX, he is now working as a cop with Miles, and they are kind of buddy-buddy. It is a weird but welcome development for me, since I've always liked Miles.

To add to the oddness, Miles sets up Sawyer on a date with Charlotte in Bizarro LAX, who we last saw on the Island making sweet with Daniel Farraday. Their date goes really well seemingly, as Sawyer (James, in this timeline) admits that there was a fine line between becoming a cop and becoming a criminal in his past life. However, he freaks out and throws Charlotte out of his place when she stumbles upon the folder detailing his childhood, which has apparently not changed. Later, Sawyer covers up his trip to Australia, causing Miles to ask for a different partner.

Also in Bizarro LAX, Charlie's brother is haunting around the police station, asking where he is. Sawyer tries to make amends with Charlotte, but she rejects him despite this. However, this spurs him into talking to Miles about his past. In this timeline, Sawyer doesn't find Anthony Cooper in Australia. Then, in a jarring moment, a car smashes into Sawyer and Miles as they're sitting and chatting – It is, of course, Kate on the run. Sawyer catches her.

Back on the Island, Fake Locke sends Sawyer on a recognizance mission to the Hydra station. There, he finds the sole survivor of the second plane crash, a woman in glasses named Zoe. Of course, she's not actually alone, and eventually springs a trap on Sawyer when she calls his bluff. This new group is apparently financed by Widmore, since she brings Sawyer to his submarine. Sawyer proposes double-crossing Fake Locke with Widmore. They shake on this, but with Sawyer and Widmore, who the heck knows if either is being honest? For what its worth, Sawyer seems to double-cross Widmore, telling Fake Locke about his plan with Widmore. He then tells Kate that he and her should escape on the submarine as Widmore and Fake Locke fight it out.

In other Island business, Claire attacks Kate for the whole Aaron thing. Sayid just sits and watches it go down, which lends credence to the idea that he and Claire are “evil” and controlled by Fake Locke. He tells Kate that he gave Claire something to hate – The Others – in order to keep her alive. He reveals that like everyone else, he had a Mother, who he had some problems with. He talks to Claire, who laters apologizes to Kate and hugs her.

All in all, this was another strong episode of LOST. “The Lighthouse” still remains my favorite of the season, probably because of its heavy reliance on Jack, but this is among the better episodes so far.

Grade: A-

DON'T READ THIS: Blogging LOST, Week 7

As the name of this post applies, don't read this post if you don't want to know spoilers for the season premiere of LOST. In lieu of a picture, please enjoy this montage of Claire craving her baby. Huge, huge spoilers no doubt appear right after this...

9 p.m. - We begin the episode on the Island, as Ben scrambles out of the Temple, and runs into Ilana and some others. He suggests that they retreat to the beach, and the others agree.

In Bizarro LAX, Ben is teaching European history to a high school class, and of course, there are some parallels between his lesson on Elba and Napoleon and his situation now. And of course, one of his co-teachers is the nerdy science teacher who dies from the exploding TNT. This leads to another "coincidence" scene, as Locke the Substitute suggests to Ben that he become the principal, and he'd listen to him if he was the leader. ooooo.

On the Island, Ilana hands Miles the bandanna from Jacob's body, and asks about his death. Miles does his freaky mind-meld thing, and discovers that Ben Linus killed Jacob. "Uh oh," as one of the character says.

9:08 p.m. - We stick with the Island through the break, and Ben, Ilana, Miles and company have already made it to the beach. It is only a quick scene though, as Ben tries to get back in Ilana's good graces, to no avail.

In Bizarro LAX, Ben is taking care of his elderly father, who is on some sort of oxygen mask. In some more plot revelation, Ben's father DID take him to the Island, but they both apparently left at some point, which has caused his father regret - What would have become of his life? And THEN, shockingly, Alex (Ben's "daughter" from the Island) is now one of his prized pupils in History Club!

On the Island, Ilana knows that Sun or Jin are candidates, and she tells Sun. But, only six are left alive, and like Fake Locke, she doesn't know whether Sun or Jin is the candidate.

In another plot line, Hurley and Jack are apparently in this episode as well. At first, it appears like we're headed for a Hurley slapstick episode, but then Richard pops up out of nowhere. He convinces Jack to follow him back to the Temple instead of going with Hurley.

On the beach, Ben and the Pilot exchange some light dialogue, until Ilana presses a gun up to Ben's neck. She has him march out to a clearing, and then ties him spread eagle on a tree. She tells him to start digging a grave - For himself.

9:17 p.m. - In Bizarro LAX, we find out that Alex's mom (Rousseau?) works two jobs to support her. Also, her principal and Ben's boss is a pervert. Nice?

On the Island, Miles brings some food to Ben. He reveals that right up until Jacob got stabbed through the heart, he was hoping that he was wrong about Ben. Awwww.

On the other part of the Island, Hurley starts asking Richard about why he is still alive and doesn't age, which is pretty comical. It is not time travel, or a Terminator thing. Richard tells them both that everyone at the Temple is dead, and he wanders off, telling them that he's going to go die now. (I'm presuming that like Tuck Everlasting, Richard views his immortal status as a blessing and a curse now.)

9:30 p.m. - In Bizarro LAX, Ben starts scheming to get the principal fired. He asks the Bio Teacher to hack the nurse's e-mail account, and he agrees, in exchange for a better parking spot. He then jokes, "Linus you're a real killer!" Ha ha ha!

Back on the Island, Ben is still digging his own grave, and then we flash over to Richard exploring the wrecked ship that he came to the Island on. He is toying around with dynamite, and says that he can't die because Jacob touched him. He expresses disbelief with Jacob, and says that he wasted his life, and asks Jack to kill him. Jack lights the fuse for him. However, he then sits by him and says that it is time to talk. Commercial!

9:40 p.m. - Thankfully, we are back to the Island, and Jack and Richard with the dynamite. He asks Richard the Lighthouse, of which he seemingly has no answer for, and as the dynamite fuse burns down, it extinguishes. Jack is now apparently the man of faith, since he trusts his life to the idea that Jacob won't let him die. He says they'll go back to the beach now.

We flash over to the beach, and Fake Locke is trying to talk Ben into leading the Island when he leaves with the others. He invites Ben to come to the Hydra station on the other island with him, to save his own skin, and tells him where a rifle is to shoot Ilana. He hesitates for a second, and then runs.

Back to Bizarro LAX, Ben has 30 e-mails that cover a three-month period between the principal and the nurse. He tries to blackmail the principal into resigning... and he reveals that he has gotten the e-mail from Alex Rousseau (ooo!) and will torch her "life" (wording mine) with a bad recommendation to Yale. This clearly parallels the situation when Alex was held hostage by Ben's lust for power, and now, we have a redux of it.

Oddly enough, back on the Island, Ben almost immediately brings this up. He gets to the rifle first and doesn't shoot Ilana, and instead, confesses that he was angry when he killed Jacob, because Alex died because of his decision, and Jacob never let him in on what the plan was. He breaks down and says he'll go with Fake Locke because no one else will have him, at which point, Ilana says that she'll take him. As the show fades to a commercial, Ben follows her instead of going with Fake Locke.

9:54 p.m. - We start back from the final break with Ben in the principal's office, but we find out that he didn't screw up Alex's life this time. Awww.

Back on the Island and the beach, Ben makes his way back to the camp, like a puppy with its tail between its legs. He offers to help Sun out making some huts. And as the sad music plays - you know, the usual sad LOST-y music - Hurley, Jack and Richard have made it back to the beach.

To end the episode, hey, I guess the submarine works now! And Charles Widmore is in it!!! An officer asks him if he wants to stop with the plan, because there are people on the Island, and he says no. How mysterious! What is Charlie Ballgame up to now?

TV Review: Even more answers as LOST progresses

I'm also thinking deeply about this episode, Jack.

Before I start, the usual LOST caveats apply for this post - Big time final season and Tuesday night spoilers are in the following post. Read at your own risk!

Anyway, I thought the season's fifth episode, "Lighthouse", did a great job at continuing to provide some answers, at least from the perspective of Jacob as opposed to FLocke (Fake Locke / Old Smokey / The Man In Black). Of course, my main Jack figured heavily into the episode, as he was at the crux of the Island and Bizarro LAX stories. This was also a surprisingly strong episode for Hurley, who I don't normally like, and a surprisingly weak episode for Claire and Jin, who I'm normally more into.

Hitting on the big part of the episode first - Apparently in Bizarro LAX, Jack has a kid with a similar relationship between himself and his father. By the end of the episode, they have patched things up. While it seems like some of the people in Bizarro LAX are destined for more misery, such as Charlie the Convicted Drug Addict, Locke and Jack have both carved out seemingly-happy niches for themselves. Neither one has a perfect life - Locke is still crippled, and Jack is still divorced or separated - but they both clearly have relationships with people they love.

Using this as a springboard to talk about the Island, I think this is the biggest difference between Jacob and FLocke's methods. I ultimately think they represent good and evil, and the show is not pulling a swerve on us.

Jacob's method of "pushing" the characters relies on manipulation, and it requires them to make tough decisions and deal with emotional trauma. Are the characters being manipulated? Sure, you could say that. However, there is a sort of paternalism to his actions. They have to have trust that what they're doing is correct. While I'm not into religion, I am into trusting my instincts and gut reaction, which often suggests I have to do things that will be a pain in the ass.

I think this all contrasts vividly from FLocke's game, which relies upon more heavy-handed manipulation and outright deception. FLocke essentially turned Ben Linus, the evilest character on television for close to four years, into a blubbering, whiny idiot that you could actually feel sympathy for. He's also providing tantalizing "answers" for Sawyer and (apparently) Claire that paint Jacob as the enemy.

To me, it reeks of a classic distraction technique - FLocke is so busy pinning the woes of the Island members on Jacob that Sawyer, Ben and others don't have the presence of mind to grill him on his own plans. To again parallel this to real life, I don't like people who insist on blaming others, whether it be a boss or some other force, for something that prevents their own happiness. Jacob and the Bizarro LAX scenes seem to suggest that hard work, trust and introspection can lead to happiness, regardless of the initial genetic hand or stumbles you might have along the way. FLocke is too busy assigning blame and gaining revenge to be concerned with happiness. (And, for this reason, I think Sawyer eventually comes to his senses and screws up the entire plan for FLocke, ultimately fulfilling Jacob's goal.)

DON'T READ THIS: Liveblogging the LOST season opener

As the name of this post applies, don't read this post if you don't want to know spoilers for the season premiere of LOST. My friend Amanda is assisting with portions, and if you have any comments, feel free to PM me at ChemBros15. Huge, huge spoilers no doubt appear right after this...

9 p.m. - My friend Amanda spots a change right in the opening seconds, as Jack, in the original crash, got two bottles from the stewardess. And I seem to be right in my initial diagnosis that the plane crash wouldn't happen because of the actions of Juliet and what not.

As a result, Jack finds a dab of blood on his neck, and Desmond is next to him in his seat. Hey wait a second... Desmond wasn't originally on the plane! The mystery continues... Now we cut to under the water, with a picture of the giant foot statue thing. No other explanation, and we're at the first commercial break. (Amanda adds, "What the fuck? Why is this CGI SO BAD? Don't they have a big budget?"

9:10 p.m. - The episode resumes and we flashback to Juliet starting everything back in the past again. What the heck? How did Kate get into a tree? And why is the sound all messed up?

Amanda: I assume that's why the sound is effed up, since a bomb went off IN HER EARS.

Good call by Amanda. And sweet, Miles is still alive and what not! He was one of my favorite cast additions. The camera pans around after Kate says, "We're back," and it is revealed that they're both on the Island, after the Swan explosion. And hey, JACK is there too! And Sawyer comes out of nowhere to smack Jack across the face!

Amanda: SAWYER <3 kicking ass THEN taking names! After that scene, we switch to Jack back on the plane, and Kate (and her FBI agent friend) are still there. Kate bumps into Jack, so she obviously took something from him. Sawyer is on the plane as well, bringing up the idea of parallel universes or time splits or something similar. Hurley's luck has apparently changed, as he notes that "nothing bad ever happens to me." Another scene switch, and we're with Hurley, Sayid (still badly wounded) and Jin. Kate goes to inspect the wreckage of the Swan, and Juliet is buried underneath! Aw!

Meanwhile, Hurley consoles a dying Sayid, since Jack is probably helping out the hot blonde right now. (I would too.) The ominous music plays as Hurley hears something in the wood, and he turns around to see... Jacob! I guess that mofo is still alive, in some form or universe, and that gets us to the second commercial break at 9:21 EST.

9:23 p.m. - We're back, and Sun and Jin are playing kissy-poo a bit, and Locke and Boone are having a little chat. Amanda guarantees that Locke can walk now, and I agree. The scene then switches over to "Locke" (or whatever is possessing his body) and Ben; Ben is aghast that Jacob didn't fight back and just let him stab him. Another scene switch, and we're outside with Captain Frank and Sun. There is also friction between Richard and the New Others (which would make for a great rock band name). Ben goes to tell Richard that "Locke" wants to talk to him, and Richard shows Ben the corpse of Locke out on the beach. Ahhhh, another commercial! DRAMA!

Amanda: I like that Ben is at a disadvantage. Glad to see he doesn't have all the answers for once. His smug ass deserves it.

9:34 p.m. - Back again, with Jacob chatting to Hurley. Jacob is aware of his own death, and my friend Tom hypothesizes that the smoke monster is the thing possessing Locke.

Meanwhile, we flip back to the plane, and the stewardess / New Others member asks Jack the Doctor to help her with a guy locked in the restroom. Of course, it is Charlie, who has OD'ed - That was kind of easy to predict though. The show goes to commercial again, with his fate in the balance; I imagine that Jack brings him back to life somehow.

Amanda: OD. Sorry, badass musician, your luck ran out. But you make one sexy dead man. (Disclaimer: I am not a necrophiliac.) In all seriousness, a little Charlie Pace does the eyes good. I'm interested to see if he will play a bit of a role this season.

Eh, I just think he does a one-off. Maybe a few episodes here and there.

Amanda: Stop dashing my dreams, Greenwell.

9:40 p.m. - We're back, with Jack trying to clear Charlie's airway, and finding his baggie of heroin. He apparently choked on it, trying to keyster it. So, not technically an OD, although just about. He is apparently the only one who did not have a happy life with the time reset.

The scene switches to the Time Warp Gang trying to use the van to move the heavy machinery out of the way, so that they can try to dig Juliet out. She is soaked in blood, but seemingly conscious, and is playing a bit of kissy-kissy with Sawyer. Juliet realizes they're still on the Island, and reveals that she hit the bomb and detonated it.

Amanda: This is one hell of a love story. I'm glad James is so emotional these days.

Switching again, Jack and Hurley are talking about Jacob, who neither of them know; too bad they weren't in Locke's secret crew. Hurley stresses that he needs to take Sayid to Jacob's place. We switch again to the beach, and Ben and Richard are having a heart-to-heart.

Richard refuses to come into the shrine, but "Jacob's bodyguards" do. They try to shoot Evil Locke, and my friend Tom appears to be right, as the Smoke Monster appears again to mess up the bodyguards. One of them manages to keep him away for a few seconds by drawing a circle on the ground and standing in it, but the Smoke Monster makes him get out of it. Evil Locke says, "I'm sorry you had to see me like that," confirming that he is indeed most definitely the Smoke Monster. Plus Five for Tom.

Amanda: Holy disappearance Batman! You were RIGHT! (Referring to Tom.) He is in fact Old Smokey. And Old Smokey is my new petname for the monster. It sounds less mean. (After Evil Locke confirms that he is the Smoke Monster.) Badass.

9:52 p.m. - Sawyer and Juliet are again making kissy-faces as she dies. Uh, good times? They share a very, very dirty kiss, and by dirty, I mean physically unclean. Juliet says, "I have to tell you something," which on LOST is never a good thing, and then she dies. And Sawyer is Pissed at Jack, with the capital a definite.

Amanda: I think this moment just surpassed Titanic as far as my "romantic goodbye while dying moment."

We switch scenes again to the plane, with Charlie telling Jack he was supposed to die. Desmond is now missing again, of course. (Tom hypothesizes that the Smoke Monster is Desmond at this point in time, or in this universe, or whatever, and materialized into the plane as it passed over the Island.) It looks like the first hour is ending with a pretty routine landing, as everyone is buckling up for the descent into LAX, the name of the first episode... And then there are some cops on the plane, coming for Charlie.

However, the rest of the stuff seems pretty routine, with the passengers getting off. Unfortunately, it seems like Amanda and I were wrong, and Locke can't walk. And thus ends the first hour.

Amanda: I'm sad about Locke's legs. My cousin and his girlfriend are trying to watch - They have never seen LOST before. I am trying to recap and they think I'm nuts.

10:04 p.m. - Sawyer is now going through the trouble of burying Juliet. Kate says she'll leave a trail for him to follow as they try to save Sayid, but he says he ain't followin' no one. The others - Jack, Kate, Sawyer - leaves, while Sawyer and Miles hang back.

Scene switch to LAX, and Jack's dad is missing! Uh oh. They can't find Christian, as the airline says they have no idea where the coffin is. Good times, good times.

The crew brings Sayid to the Temple, where they find a skeleton with a missing arm and a book. After some more exploring, they find a spiral staircase further down, and some whispering voices get into Kate's ear. Jack alls out for her, and she doesn't seem to be responding, and he runs around looking for her. Then Jack runs back, because he can't find Hurley, and he gets punched out by... some weird guys in turbans! And then it reveals the actual Temple that was hidden by the wall.

Man, LOST is even more confusing than usual tonight... I keep having to ask Tom and Amanda what certain things are called. Like, I barely remember all of this Temple business.

10:15 p.m. - We're back, and Kate is up to her old tricks. She gets the FBI agent to take her to the bathroom, where she works on loosening up her handcuffs. She gets the jump on him, because he doesn't notice that she's not pissing or taking a dump. And of course, who does she meet in the elevator? Sawyer! Aw, they're thick as thieves already.

Amanda: "Well if it's confidential how am I supposed to know if I see one?" That is the kind of wit and charm that steals a girl's heart.

Then, we go to the Island, where Sawyer is burying Juliet's body. mwhahaha. I laughed like an evil person for some reason. Miles and Sawyer are bonding, as Sawyer realizes that Miles can talk to dead people. Juliet's final message to Sawyer? "It worked."

We switch again to the present time, where the weird group of natives is threatening to shoot the gang. But Hurley reveals what is inside the case for them - A wooden cross! The leader guy breaks it over his knee, and inside is a note from Jacob, presumably. This seems to smooth things over a bit, and they decide to bring Sayid to the Spring. Hurley wants to know what the paper says, and Hippie Richard Alpert says that if Sayid dies, they're all in a lot of trouble.

10:29 p.m. - We're back at the airport, as Jin and Sun are being detained by security. He has a bunch of cash on him, and a fancy watch, and Sun may or may not speak English any more, which presents a bit of a problem for Jin, who is led away by police. Sun does look like she is dressed much more conservatively, so she might not realize Jin's history anymore.

Scene skip to the Spring, where one of the natives cuts his hand and dips it into the water - I bet it is some sort of restorative fountain, but it doesn't seem to be working exactly correctly, judging from the Asian guy who cut his hand and then tried to fix it by dipping it in the water. He seemingly comes back to life, but then they drown him further? It is hard to tell exactly what happens.

Amanda: Sometimes, in my free time, I like to cut my hands open with knives, dip them in fountains, and then speak vaguely in a foreign language. I also have a vast collection of large hourglasses. And I drown Arabs.

And now, the Chinese leader dude says, "Your friend is dead." Amanda says, "We're all in big trouble." I'm also wondering what the heck is going on, since it fades to a commercial after Jack tries to give CPR to Sayid, failing. Amanda and Tom also have no idea where this is going.

10:40 p.m. - We're back after a pretty long break, with Kate trying to find her way out of the airport as her picture is circulated among the police. She manages to get her way to a taxi JUST as the FBI guy spots her, so she hijacks the cab, pulling a gun on him and making him drive away. And oh, by the way, Claire is in the cab with her!

Amanda: Oh HI CLAIRE.

Back to the Temple, they manage to find Miles and Sawyer, who was knocked out by a rock. Hurley is brought to the room with the Chinese guy, and spills that Jacob is dead, which makes everyone freak out. They start fortifying the place to protect against, I presume, the Smoke Monster.

We flip to Evil Locke and Ben, who are having a heart to heart. Ben rightly guesses that Smokey couldn't kill Jacob, and Evil Locke reveals Locke's last thought - "I just don't understand." Evil Locke then goes into a bit of a siloliquoy about how Locke was admirable, because he was weak and became strong, and because he didn't want to leave the Island. However, he then drops the bombshell that he wants what Locke didn't - To go home. So where is Evil Locke's home??? Ahhhh!

10:52 p.m. - Back to the Temple we go, where Sawyer is alive and what not. (Hey, at least not everyone is dead.) Sawyer says he won't kill Jack, because he deserves to "suffer on this rock like the rest of us."

The scene switches to Jack talking to his mom on the phone about the missing body of his dad, and then Locke and him are chatting a bit. After a little chat, Jack gives Locke his card, saying that nothing is reversible, and hinting that he might be able to fix his spine.

Amanda: If the rest of the season goes on in this parallel universe where they all becomes friends in L.A. I am going to go down to ABC and bomb the place.

Back to the beach, Evil Locke chats with Richard for a few seconds before quickly beating the snot out of him. Richard was apparently in chains at some point, although we have no indication why.

The episode ends with Hippie Alpert trying to convince Jack to come with him for a bit, but he resists. Hurley calls out to Jack, only for the Hippie to notice that... Sayid is still alive! Gasp!

Amanda: This is too weird. Even for LOST. WTF to the last two hours of my life!

I agree! Man. What the frick is going on? I think this is going to take a few more episodes to develop, unfortunately, with even more questions than answers for a while.

Getting Lost with Lost - Season 3 and 4

Note - Don't read on if you're not interested in Lost and planning to be at some point, because there are extensive spoilers (at least I think) for the first four seasons. Warning you straight up, peeps.

I recently dove back into Lost after taking a bit of a hiatus because I've been too busy with work. In the past three days, I've managed to power my way through about a season's worth of episodes, stretching from the last six or seven of season three to the first six of season four. Some observations on the show...

- According to Amanda Meyer, who has a new, fantabulous blog of her own here, by the way, I'm pretty decent at judging some of the plot developments of the show. I don't think this is because of any special ability I have with Lost specifically; I think it is more of a function of Lost itself being a quality drama, and thus, sharing traits with other well-made movies and television shows.

By this, I mean that well-made content shares certain traits. For example, it is surprising and shocking without being totally out of left field. One of the more recent episodes that I watched, "Eggtown", teases throughout that Kate is pregnant based on the "flash forward" segments in the episode. Only at the end is it revealed that it is actually Claire's baby; the whole issue of Sawyer being a father and the tension it creates with Jack is a diversion.

This is a good, simple and logical plot point. A lot of Lost operates similar to a street magician - While you are focused on Major Plot Issue A of an episode, the actual important plot details are in the small but apparent details.

And like most good content creators, it is important to remember that J.J. Abrams doesn't introduce characters just for the sake of having someone new on the show. If you learn a character's name, it normally means they're going to keep popping up, at least until...

- Everyone on Lost either dies or deals with death. At one point or another in the show, every character either: 1) dies 2) kills someone or 3) watches someone die, either on the island or in a flashback. This is an important thing to keep in mind, because if you're ever wondering what's next for a certain character, a safe bet is bleak misery. Even some of the best "sweet" moments are founded on the backs of truly depressing scenes - Charlie's entire death montage, Desmond finally being able to connect with Penelope in "The Constant", Sayid's dismal luck with love yet his eagerness in pursuing it, etc.

If someone isn't dealing with death, then the other common theme of the show is betrayal. By the fourth season, you can really see the intense paranoia sinking into all of the characters, especially Locke. I'm only halfway through season four, so I'm not sure how valid his fears are, but his actions are manic and panicked. Also, the sheer skill of Ben at manipulating Locke and others is terrifying at times. This leads a bit into my third point...

- Jack is still awesome to me. I know, from the flash forwards, it seems like he's going to go nutty very shortly. However, I still feel more empathy toward him than other characters because he is willing to sacrifice his own desires for the good of the group on a consistent basis.

Things got a little too weird for me at points of season three. Too many of the scenes with The Others are shrouded in completely secrecy, so it was hard to have any clue about the true intentions of Jack, Ben, Juliet, Locke, Sawyer and practically every character on the show.

Jack lost some of his moral fortitude, but I think he has reclaimed it - at least so far - with his strong decision to go after the radio signal at the end of season three, as opposed to succumbing to his lust for revenge. I've made this comparison before, but I think Jack parallels Luke Skywalker from Star Wars. A lot of people dislike the character because it doesn't have the flair or ambiguity of someone flashier (Han Solo / Sawyer), but you still need his presence as a sort of "rock" of morality, like Ralph in Lord of the Flies. If everyone is some swash-buckling asshole, there isn't enough contrast among the characters.

This all dovetails into my final point...

- I have a visceral dislike of Locke now. I have an up-and-down relationship with him; in the premiere episode of season one, I initially thought he was evil, which gradually gave way to ambivalence and like as more of his background was revealed.

However, I am now firmly in the dislike column because of his actions in seasons three and four. At best, he appears to be like a suspicious native, given his intense belief in mysticism and coincidence. At worst, he is a poor man's version of Ben, manipulating innocent people in order to selfishly preserve his access to the Island's healing effect on his paralysis.

Of course, this opinion could change as I watch the rest of season four and all of season five, in preparation for the Tuesday, February 2 premiere of season six. I think this of one of the strongest points of Lost: It is masterful as creating a sense of paranoia, in the viewer, that mirrors that of the people on the island at times. I intensely dislike Locke right now, and Ben as well, but I still have to be guarded and open to the idea that there is really is a good explanation for their actions. The character motivations are almost constantly shifting, meaning there is the potential for surprise in every episode.

Anyway, this is all I have for now on the topic. I might post another entry on this later in the week on some of the excellent accessory characters if I feel up to it.